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India Press Store - Zeppelin
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List Price: $14.98
Our Price: $5.70
Your Save: $ 9.28 ( 62% )
Availability:
Manufacturer: Warner Home Video
Starring: Michael York, Elke Sommer, Peter Carsten, Marius Goring, Anton Diffring
Directed By: Etienne Périer
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Average Customer Rating:  
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Audience Rating: G (General Audience)
Binding: VHS Tape
EAN: 9786301959988
Format: Closed-captioned
ISBN: 6301959981
Label: Warner Home Video
Manufacturer: Warner Home Video
Number Of Items: 1
Publisher: Warner Home Video
Release Date: 1995-05-24
Running Time: 101
Studio: Warner Home Video
Theatrical Release Date: 1971-10-06
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Spotlight customer reviews:
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Customer Rating:
Summary: Movie "Zepplelin" a winner
Comment: Product (VHS) TAPE WAS EXACTLY WHAT I WANTED. THE ITEM WAS IN EXCELLENT CONDITION AND PERFORMED VERY WELL.
Customer Rating:
Summary: Fun movie needs DVD release, but there is a VCD out there
Comment: This is a fun WWI movie from the 1970s that I enjoyed while growing up and while there is no DVD yet available there is a VCD out there that regularly appears on auction sites that will allow you to enjoy it on your DVD player.
Whereas movies centering around WWII are numerous, the same is not true about the "Great War." This movie therefore offers a fascinating (and exciting) glimpse at a conflict in which aerial warfare was still in its infancy.
It should hardly be surprising that I like this movie, its an espionage drama revolving around an airship and one of my favorite of the James Bond movies is A VIEW TO A KILL which was an espionage drama with a climactic battle around an airship. But most of all the movie is also directed by Belgian-born director Etienne Perier who also directed my all-time favorite spy movie "When Eight Bells Toll," based around the Alistair MacLean novel of the same name (check out my review of that movie here on Amazon.)
Starring in this movie as the unlikely hero Geoffrey von Richter-Douglas is Michael York. His character is a British soldier with German roots who is sent by British intelligence to get information on a new German super-weapon the LZ36, and ends up aboard one bound for an attack on a Scottish castle and the destruction of the Magna Carta. Co-starring alongside York is the incredibly beautiful Elke Sommer who plays Frau Dr. Ericka Altschul, the wife of the airship's designer who is less than convinced by Richter-Douglas' defection to the German side. Hoping to gather the information needed Richter-Douglas talks his way on board the zeppelin for it's "trial run" only to learn that instead of it being a "trial run" it is actually a secret attack on the aforementioned castle. The Germans believe that the destruction of the "British constitution" will have a demoralizing effect on the British people. It's up to Richter-Douglas to thwart the plan from within.
While The story does not fully develop the theme of divided loyalty completely the Richter-Douglas character is an interesting one and the viewer is made to wonder where his ultimate loyalties will eventually lie. Ultimately the movie starts a little slow and picks up in the second act as the zeppelin sets off for the raid, the battle at the castle and the final escape across the channel.
It's entertaining hokum and the battle as English biplanes attempt to bring the blimp down in the closing minutes is exciting, but don't expect it to be the most accurate of movies.
Examples of problems include the fact that it wasn't until the 1920s that The technique of mooring an airship to a tower was developed. The film is set in 1915 but it features the SE5a fighter plane which didn't enter service until two years later and. the British also didn't have the machinery for firing a machine gun through a spinning propeller until 1916.
Still, even given these technical problems the movie is one of those perfectly designed for those rainy Saturday afternoons when all you want to do is curl up on the coach with a hot chocolate while watching an entertaining movie.
Customer Rating:
Summary: Mission incredible - with a distraction thrown in
Comment: The Michael York character in this 1971 movie is no James Bond type, as seen in "A View to a Kill" (1985), where airships were also key to the plot, yet it is clear that he was being forced to choose between the two major warring European powers during the First World War as regards his loyalties.
The plot centres around what appears to be a "simple" task for one Lt. Geoffrey Richter-Douglas, a man with German roots yet serving in a minor role in the British Army: get back to Germany and find out all the technical details of a new Navy Zeppelin called the LZ36, the latest in a series of airships used for the strategic bombing of British cities in 1915 in order to terrify the civilian population.
Having been deliberately shot in the arm (literally) in order to convince the Germans that he was genuinely turning his back on the British, Richter-Douglas finds that the purpose of the new airship's sole mission is much more sinister than that - no bombs are on board, for a start. This mission outrages the airship's designer, Professor Altschul (Marius Goring) and worries his wife, Erika (Elke Sommer). Erika keeps her feelings for Richter-Douglas carefully neutral, and her contention that he is actually still working for the British to herself.
The Scotsman is nearly discovered, but he despatches one crewmember in a particularly brutal fight and dumps him over the side while the Zeppelin is still in flight; fortunately for him, the ruse that he was trying to save him fooled the commander of the ship (Andrew Keir) and the army colonel (Anton Diffring) leading the mission.
The mission (which I won't reveal here) ultimately fails, but without his help, though Erika's presence appears to add little to the plot except provide a distraction to the otherwise male-dominated scenario, as military missions in those days tended to be. The most exciting part is perhaps the aerial battle where British fighters try and put as many bullet holes into the airship as possible before the ship climbs out of reach when many things (including the bodies of killed crewmembers) are themselves dumped over the side.
Nonetheless, the ship is heading for a "Hindenburg"-style fiery death as (for some reason never explained) the ship loses height and crashes into the North Sea by the Dutch coast. Perhaps predictably, both Richter-Douglas and Erika are the only survivors of what was a doomed mission (from the British point of view, it could only be doomed).
As espionage stories go, this one would have been better had the action not been so plodding at times: one might even say that the mid-North Sea fuel stop was a rest-stop for the movie itself. It is really only from when the enemy airship reaches its destination that the action really does get going. For fans of airships past and present, it is memorable for the fact that the set used for the inside of the ship was remarkably detailed and that the genuine airship sheds at Cardington, which still exist, were used as a backdrop.
Overall, however, it is a good film to watch because, unlike others, it focuses mostly on the troubled psyche of the man, who is clearly being made a pawn by both sides to get what they want, and does not attempt to glorify war. The subtle anti-war message comes when Erika asks him to comment on the failure of the mission, and he says bluntly that he "didn't want any of it". For him, survival was his top priority - what anyone else wanted did not matter to him, even if he never had to take a stand against either side.
Customer Rating:
Summary: The Zep Zips
Comment: What cab I say ? I directed this incredible film and we all had a lot of fun .great shooting in England and Malta . I'd do it over again if I had the chance !
Customer Rating:
Summary: Giant in the Clouds.
Comment: This action-adventure flick is a mixed blessing. Michael York is more awkward than heroic as a reluctant WWI spy, who is afraid of heights. Naturally, the British send him on a mission that involves a zeppelin that flies at 15,000 feet. His inexperience at espionage leads to clumsy attempts at humor. The comic book plot is of the newly developed super zeppelin, LZ36. The Germans fly the great airship on a daring mission to remote Scotland to capture the British archives, including the Magna Carta itself. The movie's virtues are the airborne photography and the special effects. The realization of a WWI zeppelin is a triumph of non-computerized visual display. The aerial combat scenes of WWI era planes attacking the zeppelin are exciting, and should please aviation history buffs. The blood and thunder of the attack on the castle that houses the archives will satisfy action fans. Casting the delectable Elke Sommer may have been commercially viable, but her role as a zeppelin engineer married to an older, absent-minded professor is not a good fit. Her interactions with York are dull rather than provocative. Covering her curves with a bulky flying suit was poor use of her natural talents. Zeppelins and vintage aircraft are fine. In that light, the movie is worth the price.
;-)
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Editorial Reviews:
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In this 1971 film, fans of lighter-than-air transport are able to experience what it must have been like to operate a "zepp" in wartime. The effects and attention to detail will please even the most jaded aficionado of dirigibles. Unfortunately, the rest of the audience will find Zeppelin wanting. Neither Michael York nor Elke Sommer manages to be very convincing. While Sommer's Frau Altschul is mere window dressing, York seems torn between playing British spy Richter-Douglas as either an inexperienced bumbler or a Bond-like man of action (York's close-quarters combat with a radio operator seems strikingly similar to a fight sequence in From Russia with Love). Despite the problems, the film still somehow manages to satisfy at least 70 percent of the time. And how many recent films can you think of that feature action aboard a World War I zeppelin? --Mark Savary
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