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India Press Store - The Red Violin
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List Price: $14.98
Our Price: $6.04
Your Save: $ 8.94 ( 60% )
Availability: Usually ships in 24 hours
Manufacturer: Lions Gate
Starring: Carlo Cecchi, Irene Grazioli, Anita Laurenzi, Tommaso Puntelli, Samuele Amighetti
Directed By: François Girard
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Average Customer Rating:  
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Aspect Ratio: 1.85:1
Audience Rating: R (Restricted)
Binding: DVD
EAN: 9781588177650
Format: Closed-captioned
ISBN: 1588177653
Label: Lions Gate
Manufacturer: Lions Gate
Number Of Items: 1
Publisher: Lions Gate
Region Code: 1
Release Date: 2003-05-20
Running Time: 130
Studio: Lions Gate
Theatrical Release Date: 1999-06-11
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Spotlight customer reviews:
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Customer Rating:
Summary: A MUST SEE
Comment: I believe this movie was a sleeper - a real blockbuster that no one heard about. I think this is another one of my top favorites of all time. There wasn't a dull or sleepy moment throughout the entire movie. It was fascinating and interesting as the violin traveled through time and the ending made me laugh and squeal with delight. The only thing I had a problem with was knowing he was taking a multimillion dollar violin home to his kid. That almost gave me a heart attack. Besides that, it is a movie that I have watched again and again. It is always thrilling and fun to watch.
Customer Rating: 
Summary: The Red Violin DVD
Comment: I received a new copy of The Red Violin. It arrived in a timely manner and was in, the as discribed condition.
Customer Rating:
Summary: MY REVIEW OF THE RED VIOLIN
Comment: I thought the film was great. I play the violin myself, & have come across some Stradavarii, & Guanarius in my time,& know what it is like to have such a find. It is not always possible to trace the history of not only an instrument,but the many other items that have come down to us from times long ago. So it was wonderful being able to see something as important as a violin being traced.Except for the injection of spiritism, the showing of nudity,sexual promiscuity,& the suggestion of one engaging in such conduct,which I did not think had any place in such a film,except for these things, I enjoyed the film itself,very much. The 1st time I watched it I was not really watching it, I was busy on the computer, so it was more like listening to it, & looking up every once in a while.The 2nd time, when I really watched it, I was shocked at the above items, & when I could tell they were coming, I skipped over it by pushing the forward button 'til I was sure I had passed those scenes.
Customer Rating:
Summary: Pretty Vignettes, Nothing More
Comment: I came to this film backwards, from the experience of the Red Violin Concerto composed by John Corigliano, on the basis of the musical theme he contributed to the movie. The concerto is a vigorous, dramatic piece of music, with even a bit of emotional profundity about it, so I was expecting a movie of some depth. I have to say, I was disappointed. This is a sprawling edisodic melodrama, set in Renaissance Italy, Rococo Austria, Victorian England, and Maoist China, and when bow comes to string it's a movie about an art thief who succeeds, with no apologies. Now it's not every day that I get to practice my Italian, German, and Mandarin all in one sitting, so that's worth one star. The Italian and Austrian sets were beautiful, so there's another star. The "monastery" in the Alps was in reality a castle where I've spent time, so one star more for nostalgia. The depiction of China during the Cultural Revolution was mortally vivid, so there's a fourth star. However, the whole thing stalled unmercifully for lack of anything approaching suspense or drama, so I'm deducting one star, leaving three.
By all means, listen to the CD of the full Red Violin Concerto, as performed by Joshua Bell. It's a work of art.
Customer Rating:
Summary: A Great Story Done in an Original and Most interesting Way
Comment: This movie should have received multiple Academy Awards, but alas, I guess there werte not enough explosions in the movie. The story of a wonderful instrument, and all the lives it touched over the centuries, is one of my favorite moviers ever.
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Editorial Reviews:
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Mounted in high lavish style, from the opening strains to coda, The Red Violin pays homage to the careful uses of color and composition without bothering to support these qualities with any real substance. Oh, it's a class act on the surface all the way, while failing on nearly every other level to convince. The story tells the story, revealing precious little else. The 17th-century Cremonese instrument-maker Niccolo Bussotti finishes his final violin with a curious red varnish, the secret of which spans the film, yet will come as a surprise only to the very sleepy. The odd voyage of this unique violin through history is then explored from one episode to the next, from child prodigy to gypsies to Victorian virtuoso to a clandestine enclave of art lovers in Shanghai during the Cultural Revolution. This is all framed by the violin's rediscovery in present day by instrument appraiser Charles Morritz (Samuel L. Jackson), for whom the perfect instrument strikes a resonant chord. The main scheme of the film, an object connecting a number of seemingly disparate stories, has been used many times, most notably in Max Ophuls's La Ronde. But while this approach is employed elsewhere to cause one scene to reverberate against another, The Red Violin is content to leave each episode thematically unconnected with any of the others. On the decorative level, the film may satisfy many viewers with its sensuous attention to tone and detail, as well as its eclectic and expertly performed score. But as narrative it is very slight. Just pierce the pretty crust of this puff pastry and gaze in wonder at the pocket of air within. --Jim Gay
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